LIST OF WORKS
* indicates a commissioned work.
Music for Theater / Mixed Media
California Tableaux, an operatic work in progress.
(more about the project here)
Incidental music for King Lear (Summer 2009), University of California, Davis, Theater Department.
* Take 2 (Summer 2003) for dancers, voices, winds, guitars, and percussion GroundWorks Dance Theater, David Shimotakahara, dir.
Night of Hell: a mini melodrama drama for baritone/tenor and quadraphonic computer sound (1996).
Orchestra & Choir
* Procession, Consolation, & Jubilation: Three Medieval Songs (1995) for choir, soloists, and small orchestra. Athens Master Chorale, Joseph Napoli, dir.
Choir & Ensemble
* Flight and Revelation (2006) for mixed choir and jazz/rock quartet. Upsilon Phi Chapter of Phi Mu Alpha Sinfonia, the Epsilon Pi Chapter of Sigma Alpha Iota and the Mostly Live Composers Society of Truman State University
Fear Ego Love (2003-04) for amplified mixed quartet, rock band and chamber choir.
* Philomele (1996 / revised 2026) for mixed choir and chamber ensemble (flute, clarinet, steel string guitar, electric bass, and percussion). University of Georgia Concert Choir, Dr. Melinda O'Neal, dir.
Choir (a cappella)
* O Mensche, Gib Acht! - Work in progress for mixed choir and socio-multimedia, SACRA/PROFANA, Juan Carlos, dir.
* Peace Ritual and Resonances (2005) for mixed choir. Cappella Gloriana, Steven Sturke & Virginia Sublette, dirs.
* Love...Aspiringly (2003) for mixed choir. Cappella Gloriana, Steven Sturke & Virginia Sublette, dirs.
* Ecce Lignum (1997/ revised 2014) for mixed chorus and handbells. Good Shepard Presbyterian Church Choir, Emily Moon, dir.
Large Chamber Ensemble
Eruptive Plains (1999) for winds, percussion and piano.
Chamber Ensemble (2-7 players)
Attitudes…Self-reflection Concertante (2023) for two horns, electric guitar, electric bass, drums, and computer live processing
* NorCal Water Music (2019) for ensemble and socio-multimedia, Citywater.
* Liminal Spaces (2018) for alto saxophone and guitar (nylon string). Rhett Bender.
Mixtures~Crossfades~Foci (2013) for two nylon-string guitars
* 7 collections (2010) for piccolo and piano. Calliope Duo.
* California Dreamin' (2008) for cello, percussion, and piano. Empyrean Ensemble, UC Davis.
Flight, Revelation, and Transformation (2007) (mixed sextet and quintet versions)
Attitudes…Self-reflection (2007) (ensemble version)
* Impositions and Consequences (2005-6) (for soprano, tenor saxophone, electric guitar, keyboards contrabass, and drum set. John Zorn.
* Fear...Ever Present (2003-04) for amplified mixed quartet. Noise Ensemble, San Diego New Music.
* Morpheus (2000-01) for percussion quartet. RedFishBlueFish, Steven Schick, dir.
* Les Tropes sur les préoccupations mentales d’été (2000), for alto flute, bassoon, soprano, tenor, and baritone. Fondation Royaumont.
Triaxis (1998) for violin, guitar, and clarinet (doubling bass clarinet)
Character Piece (1996) for brass quintet.
Breach, Core, Edge (1995 / revised 2026) for soprano saxophone, electric guitar, electric bass, and percussion
Psyche (1994) for soprano and 'Pierrot' ensemble plus amplified guitar
String Quartet (1992 / revised 2026)
Solo with Electronic / Computer / Multimedia
*The End Times Are a'Changin' (2018) for guitar and socio-multimedia accompaniment. Colin McAllister.
20 Mule Team (2008) for solo performer and interactive computer.
* Farewell: Grief Cycles (2000/08) for violin (doubling viola) and audio playback. Mark Menzies
Attitudes…Self-reflection (Spring 2003) (solo version) for electric guitar and interactive computer.
Holtranix II: an interactive improvisation for solo MIDI controller and computer (1997).
Holtranix I: an improvisation for soloist and computer (1996-97).
Solo
* Attitudes…Assumptions Shattered (2003) for drum kit solo. Morris Palter.
* Dreamstates and Alteregos (1997) for solo soprano saxophone. Scott Turpen
* Three Pieces for Piano (1996). Andrew Santander
Rock Band
Horse Thieves: ‘Bout Damn Time (2016) album of music for power trio (guitar/voice, bass, and drums)
